As I have always said, who in this era can trump Kelly's ridiculously beautiful Falsetto?It's so transcendental. Not only that, she is so badass. She even took the key up one step higher and managed to hit every high note dead on. That vibrato was pretty damn stellar, too. So timely and even. The chest to head transition and jump to B5, one note shy of the 6th octave, the runs, everything. She was AMAZING and she didn't even try. It was simple yet sophisticated. That's probably the highest ANYONE has ever gone in this song. Brilliantly interpreted and innovative. THAT'S MY GIRL! xD