here are the categories
(excuse the kooky MS paint aesthetics, graphic design is not my passion)
^*unranked*^
here is the schedule
(that I HOPE to follow. I may end up being early or a day late, or I may end up just not following the schedule at all, but this is how I'm going to end up doing it. around these dates)
4 or 5 December - worst songs, #15-12
7 December - worst songs, #11-7, best songs #15-11
9 December - best songs, #10-6
11 December - worst songs, #6-4
13 December - best songs, #5-1 (explanation following), worst songs, #3-1
15 December - best things to have happened, #5-1
17 December - worst things to have happened, #5-1
the reason why I'm revealing them all in three days and in such a different pattern is because I find it so difficult to list my top favourite songs like a list when I all love them equally, so it'd be easier for me to reveal them as a group or something like that. I'm just trying to make myself comfy here. it's my 1st time
wish mi luck bc this is all improv and it's hard to rank the songs I hate when I all hate them so much
gnash - "i hate u, i love u" (feat. Olivia O'Brien)
ever wanted a ray bans-wearing, reebok-sporting, starbucks-sipping break-up ballad anthem, with a boring and depressing production? well, ça y est.
'I Hate You, I Love You', er, 'i hate u, i love u', is a song by american artist gnash featuring a relatively new songbird, olivia o'brien.
this song is a bleak, boring, break-up/reconciliation song of some sort that sounds like a song that drake had passed up when he was making his views album. the song never changes from those basic four (?) piano chords, and the production never seems to change.
we get over two minutes of listening to gnash's nasalised sing-rap voice à la drake (minus nasalisation). with this we get terribly awful songwriting. rhyming "****ing did" with "****ing fix" with "****ing mixed", and rhyming "like that ****" with "bite that ****", THEN for more collateral damage, "mind that ****" rhymed back-to-back.
then we go to olivia who has less emotion than a wooden bowl. actually, she feels so absent from the song there's nothing to comment about on her. despite the fact that she got an entire verse and sings a good chunk of the song, she fails to bring anything interesting to the table. now that I think about it, that's an insult to wooden bowls.
not to mention this song's music video is them doing a quick little nature getaway in the forest by the lake with poor attempts at displaying ~emotion~. it's so boring that even its boring-ness managed to seep into the music video's production.
however this depressing song got at least 185 million listeners, however it reached platinum in seven countries with it going 2xP in canada and australia, however it reached #1 in australia and landed in the top ten of eleven other countries, will always be a mystery.
#14 and #13 coming later. I just wanna get this one out since I've had it in draft for a while
simply put britney sounds seriously nasal here and her cheesy lyrics about "putting on a private show" don't help. nor does the "WORKIT, WORKIT BOY WATCH ME WORKIT, SLIDE DOWN MY POLE WATCH ME SPIN IT AND TWERKIT" parts. it's like they tinkered with her voicebox and made her voice annoyingly high-pitched and nasal. this song seems like it had a lot of potential.
number 13
no 13
Charlie Puth - "We Don't Talk Anymore" (feat. Selena Gomez)
there's not much to say about this song, really.
'we don't talk anymore' is a song from whispery falsetto connaisseur charlie puth featuring whispery singing connaisseuse selena gomez.
… btw, that's one thing I DON'T get about this song. why is charlie puth's whispery falsetto the reason why people know him? I mean that's the reason why people thought 'see you again' was ~so emotional~ when it was actually as emotional as a piece of cardboard. anyway, this song is LITTERED with puth's annoying, whispery falsetto. when will he learn how to do actual falsettos in his music?
not only that, but this song follows that dreaded tropical house trend that has littered 2016's charts and musical style.
not to mention the half-assed songwriting. "we don't talk anymore like we used to do"… the "do" should not be there. "every now and then I think you might want me to come show up at your door"… why is the word "come" there? the song is full of filler words!
selena brings nothing to the table. she has emotion but it's lacking.
btw, what do we call this ship? Guthez? Charlomez? Selenie? Puthena?
They all deserve It! gnash has some serious bops but this one is not the tea. Private Show is one of the worst songs EVER tbh and the other one is tragic too.
gnash - "i hate u, i love u" (feat. Olivia O'Brien)
ever wanted a ray bans-wearing, reebok-sporting, starbucks-sipping break-up ballad anthem, with a boring and depressing production? well, ça y est.
'I Hate You, I Love You', er, 'i hate u, i love u', is a song by american artist gnash featuring a relatively new songbird, olivia o'brien.
this song is a bleak, boring, break-up/reconciliation song of some sort that sounds like a song that drake had passed up when he was making his views album. the song never changes from those basic four (?) piano chords, and the production never seems to change.
we get over two minutes of listening to gnash's nasalised sing-rap voice à la drake (minus nasalisation). with this we get terribly awful songwriting. rhyming "****ing did" with "****ing fix" with "****ing mixed", and rhyming "like that ****" with "bite that ****", THEN for more collateral damage, "mind that ****" rhymed back-to-back.
then we go to olivia who has less emotion than a wooden bowl. actually, she feels so absent from the song there's nothing to comment about on her. despite the fact that she got an entire verse and sings a good chunk of the song, she fails to bring anything interesting to the table. now that I think about it, that's an insult to wooden bowls.
not to mention this song's music video is them doing a quick little nature getaway in the forest by the lake with poor attempts at displaying ~emotion~. it's so boring that even its boring-ness managed to seep into the music video's production.
however this depressing song got at least 185 million listeners, however it reached platinum in seven countries with it going 2xP in canada and australia, however it reached #1 in australia and landed in the top ten of eleven other countries, will always be a mystery.
#14 and #13 coming later. I just wanna get this one out since I've had it in draft for a while
His writing is ****ing terrible, but I vibed to it for a minute
simply put britney sounds seriously nasal here and her cheesy lyrics about "putting on a private show" don't help. nor does the "WORKIT, WORKIT BOY WATCH ME WORKIT, SLIDE DOWN MY POLE WATCH ME SPIN IT AND TWERKIT" parts. it's like they tinkered with her voicebox and made her voice annoyingly high-pitched and nasal. this song seems like it had a lot of potential.
number 13
no 13
Charlie Puth - "We Don't Talk Anymore" (feat. Selena Gomez)
there's not much to say about this song, really.
'we don't talk anymore' is a song from whispery falsetto connaisseur charlie puth featuring whispery singing connaisseuse selena gomez.
… btw, that's one thing I DON'T get about this song. why is charlie puth's whispery falsetto the reason why people know him? I mean that's the reason why people thought 'see you again' was ~so emotional~ when it was actually as emotional as a piece of cardboard. anyway, this song is LITTERED with puth's annoying, whispery falsetto. when will he learn how to do actual falsettos in his music?
not only that, but this song follows that dreaded tropical house trend that has littered 2016's charts and musical style.
not to mention the half-assed songwriting. "we don't talk anymore like we used to do"… the "do" should not be there. "every now and then I think you might want me to come show up at your door"… why is the word "come" there? the song is full of filler words!
selena brings nothing to the table. she has emotion but it's lacking.
btw, what do we call this ship? Guthez? Charlomez? Selenie? Puthena?