Then came the backlash. It started with her admittedly strange Saturday Night Live performance in 2012, in which she seemed to be channeling a heavily medicated Marlene Dietrich. Music bloggers went on the attack, calling her “talent-starved,” an “unconvincing work of fiction,” and an “annoyingly faux minx.” But here’s the thing: People became entranced. Her debut album sold seven million copies worldwide, and Ultraviolence debuted on iTunes at number one in 80 countries around the world. Her concerts became frenzied pop-culture events.