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What do you call a man who stands there smiling and singing as his scantily clad wife straddles a chair and shakes her rear end for other men’s titillation?
I’m certain if I look through enough Jay Z song titles, I’ll come up with the right name for his role in Beyoncé’s performance at the Grammy Awards Sunday night. Rhymes with Goodyear. . . ? Well, how about I just call him a poor excuse for a husband.
t wasn’t surprising to see Jay Z, looking pleased at his wife’s hyper-sexualized exhibition on stage.” After all, “he’s made a living singing lyrics that call women ‘bitches’ and ‘hos,’ so we shouldn’t be surprised that he objectified his own wife on stage.
The sophisticates will say that what we saw Sunday were just the long-established stage personas of Beyoncé and Jay Z; why should their marriage change that?
Well, for one thing, the happy couple have invited audiences to admire their adorable family, with dad even joking about his daughter’s sippy cups when he accepted an award on Sunday. So they’re suggesting to audiences that this kind of public sexual behavior is compatible with a loving modern marriage.
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Is Jay Z objectifying his wife? Isn’t this all entertainment?
When all was said and done, the article posed a good question:
Beyonce had a career before she got married; should marriage change the way she performs?
What are your thoughts?
