The 2014 VMAs:
All About Oversexualization Pushed by Music Industry Puppets
Last year’s VMAs were all about Miley Cyrus acting like a fully programmed Beta Kitten. This year, nearly all of the performers who took the stage were acting like fully programmed Beta Kittens. When the “highlights” of an award show are the butt implants of Nicki Minaj and (most likely) Iggy Azalea, you know there wasn’t much substance there. After the show, MTV reported as “news” that
Austin Mahone said about Nicki Minaj:
“Her butt was just huge. That was all I could focus on.”
This pretty much sums up the 2014 VMAs:
a dumbstruck audience staring at butts for a few hours, mixed with some industry pawns getting shiny trophies. While some viewers might say “That was awesome!”, let’s not forget that the target audience of MTV are born around the year 2000. They are the ones growing up watching this, absorbing the sights and sounds. And the sights and sounds of the 2014 VMAs sent a clear message to these youths.
Oversexualization means, simply,
“sexualizing excessively”. Yes, making love is a wonderful part of life, but when this act is debased, corrupted, exploited, and sold to young, immature minds, it can produce lifelong negative psychological and interpersonal effects. However, to the occult elite, those effects are desirable because it produces a population with “
loose morals”, which is just the kind of population they are looking to create.
As usual, the VMAs featured small selection of performers. Even “crowd reaction” shots were focused only on a few guests, namely Katy Perry, Taylor Swift, and Kim Kardashian. In short, the 2014 VMAs were all about the industry kittens.
Here’s a look at the main stars of the VMAs and their main message. You will probably realize that they are all similar, almost as if they were controlled by the same people. Newsflash: They are.
http://vigilantcitizen.com/musicbusi...ustry-puppets/