Britney was a nonfactor in 2011. Her fans trying to spin the other way around to deny this.
I kind of agree with this, except for Till the World Ends (which, no wonder, sold amost double the other two hits). The rest of the era felt like a fans only affair. It was still successful though.
Literally the best of everything is here in Toronto. Weather excluded. But it rains like every day in Vancouver so even in that department we're equal.
So I was in this house party with some friends (there were only a few people but most of them were gays) and this guy that I don't even know was providing the music with his phone. His phone went down and he asked for mine, crazy drunk, screaming that he wanted to play Madead's Hung Up. I didn't have it on my phone and he SCREAMED "what kind of ****** that doesn't have hung up on the phone?" I am laughing now but I was so embarrassed because I never talked to him b4 that
"what kind of ****** that doesn't have hung up on the phone?"
I get that SYG is constantly festering with anything that denies Britney's relevance status but if you're going to even imply that "Till The World Ends" wasn't a huge hit...
627 pages of gays stressing, huffing and puffing over that dead on arrival atomic BOMB.
and they think they deserve to be treated like normal human beings???
I warned them but my fellow Armys did not listen
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Originally posted by GreasyBruce
I love her and I want to be optimistic, but I can't help but get a slight Run the World/Work Bitch tea from this. I don't hear a hook.
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Originally posted by GreasyBruce
I just think we really, really need to keep our expectations in check with this one. Work Bitch opened with less than half of Hold It Against Me. Don't be shocked if Pretty Girls opens with half of Work Bitch.
I get that SYG is constantly festering with anything that denies Britney's relevance status but if you're going to even imply that "Till The World Ends" wasn't a huge hit...
The fact that we're arguing over 2011 Pop is so desolate right now.