Charles has NO identity. All his songs are a bunch of slick, fun little pop ditties but with zero personality. They sound like they were all destined for other artists, which is why he does well in features, and with a soundtrack single where the main selling point is the movie and not the artist, but his own material bombs.
Charles has NO identity. All his songs are a bunch of slick, fun little pop ditties but with zero personality. They sound like they were all destined for other artists, which is why he does well in features, and with a soundtrack single where the main selling point is the movie and not the artist, but his own material bombs.
Charles has NO identity. All his songs are a bunch of slick, fun little pop ditties but with zero personality.
electra heart is the exact definition of a characterless pandering record she tried to disguise as being 'ironic'. charli exudes more character on sucker's title track than marinara does in her whole discography.
I liked IDWTMAT at the time but it got old pretty quickly. No idea how it became a talent show staple.
I don't watch television or listen to the radio so songs never become overplayed and ruined for me. Easy to see why it's a talent show staple though, how many other big songs by male vocalists in recent times actually allow you to show off vocals?
I adore Marinas vocal technique. The way she desperately wails Forgeeeeeeeeeeeeeeeeeet in her best sing but takes a demonic man voice to speak about being a broke sad bitch. Artiste!
I don't see how anyone could honestly dislike that song, there's just something about it. It trascends cliche somehow.
