Member Since: 1/3/2014
Posts: 3,992
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Did anyone even bother to actually READ the entire interview?
MCQUEEN: How do you approach the visuals?
WEST: Well, I'm a trained fine artist. I went to art school from the time I was 5 years old. I was, like, a prodigy out of Chicago. I'd been in national competitions from the age of 14. I got three scholarships to art schools—to St. Xavier, to the American Academy of Art, and to the Art Institute of Chicago—and I went to the American Academy of Art. So the joke that I've actually played on everyone is that the entire time, I've actually just been a fine artist. I just make sonic paintings, and these sonic paintings have led me to become whatever people think of when you say "Kanye West." Madonna, I think, is the greatest visual musical artist that we've ever had. If you look at her photo log, the photographers that she was able to work with throughout her career framed her in the proper way. It was the proper context. It was that visual that made sure that everything was gonna cut through in a certain way. I mean, you know as much as anyone how important the visuals are. So I like to collaborate with different masters—whether it's George Condo or Nick Knight or Takashi Murakami—on the visuals that are connected to the pieces, and just have a simple high school conversation with whoever I'm working with and bring our thoughts together, but ultimately what we do is through the lens of that collaborator, and it ends up being their final hand. You know, you can go to a bunch of people who say, "Hey, I want to make a video based off of these white-trash T-shirts." But "Bound 2" is Nick Knight's take on those white-trash T-shirts, and if I went to five other artists, they would all do it in other ways. So I think that's part of the beauty of life. It's more about the art of conversation, the companionship, the friendships, and the quality of life that you get out of working—it's about the creative process even more than the final product. I think there's something kind of depressing about a product being final, because the only time a product is really final is when you're in a casket.
Where is the shade
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